
‘THE CAR’ by the Arctic Monkeys
To entertain, in some way, is to surprise, to question, to tease, and even to ruffle. The Car, Arctic Monkeys’ seventh LP, does all of

Contemplating this golden age of content

To entertain, in some way, is to surprise, to question, to tease, and even to ruffle. The Car, Arctic Monkeys’ seventh LP, does all of

Kaushal Oza’s short film is a gently crafted meditation on grief, memory, identity and art

Kabir Khan’s 83 showcases how a record of the past responds to the cultural context of the present.

Rohena Gera’s ‘Sir’, while subverting the popular portrayal of domestic workers in Indian Cinema, is authentic to the core.

Characters are revived in each episode and the central predicament of the separating couple lives on even as the story makes excursions into Indian political life.

Alice Wu’s second feature film is about finding the right words.

Greta Gerwig’s adaptation of Louisa May Alcott’s nineteenth-century novel is still both radical and relevant.

Neeraj Ghaywan’s short film unflinchingly sheds light on everyday misogyny through an intimate, Indian family get-together.

The Disciple’s slow movement stands in contrast to its protagonist’s inner restlessness

A review of Craig Lockard’s book ‘Southeast Asia In World history’